ENCORE – ARGENT

Epic Records
1974
Keyboards, Vocals – Rod Argent
Guitar, Vocals – Russ Ballard
Bass Guitar, Vocals – James Rodford
Drums, Percussion – Robert Henrit
Tracklist
A1 The Coming Of Kohoutek 10:24
A2 It's Only Money (Part One) 3:48
A3 It's Only Money (Part Two) 4:58
B1 God Gave Rock'N'Roll To You 6:45
B2 Thunder And Lightning 6:10
B3 Music From The Spheres 9:08
C1 I Don't Believe In Miracles 3:26
C2 Dance Of Ages 9:08
C3 Keep On Rolling 5:20
D1 Hold Your Head Up 10:45
D2 Time Of The Season 6:25
This album, originally released as a double LP in early 1975, was supposed to buy a little time for Argent as the group worked two new members, John Verity and John Grimaldi, into its lineup in the wake of the departure of co-founder Russ Ballard. As a result, it showcased a band that had already evolved out of the sound represented here, which must have seemed a pity for the fans who bought it. The sound captured on this album combines equal measures of progressive rock and hard-driving pop/rock into a whole that never lost its sight on rock & roll, as on "Thunder and Lightning" and "Music of the Spheres," or the more traditional sound of "Keep on Rollin'." With Ballard's guitar and the rhythm section of Jim Rodford (bass) and Bob Henrit (drums), the band could only stray so far from rock, and they and keyboardist Rod Argent, pulling in those opposite directions, ended up creating a scintillating whole on much of this record. Even the extended jams are focused and always maintain some serious forward momentum, though the opener, "The Coming of Kohoutek," comes dangerously close to fatal digression -- one can only quote Berlioz so far before the piece it's in loses its purpose as rock & roll. The 11-minute jam of "Hold Your Head Up" seemed a little excessive at the time -- a reaction probably caused, in part, by the substandard pressings by which the vinyl version of this release was seemingly universally represented -- but it holds up well today. And the band encored with "Time of the Season," a selection with which no one could possibly take serious issue -- they dress it up in some heavily ornamented drumming and guitar, but it's the song everyone knows and loves, done about as well as anyone who was not Colin Blunstone could ever handle it. (Review by Bruce Eder)

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